Sublimation Assistance
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Cleaning the Substrate Cleaning your sublimatable materials is easy. Simply dampen a cloth with alcohol and wipe the surface clean of dust, fingerprints, dry-erase marker or other debris. Even if you wrote on a gloss-coated substrate with permanent maker by mistake or accidentally spray painted it, don't throw it out! It will clean up effortlessly with a cloth moistened with mineral spirits. Rowmark recommends that you wipe your substrate free of dust with alcohol prior to attaching your transfer for pressing. This allows for a clean, dust-free surface that results in a better transfer.
Printing the Transfer No matter which Epson printer you're using, it's always best to do a nozzle check each time you turn on the printer. Use a piece of copy paper so you don't waste transfer paper. If you experienced bad nozzle check pattern, proceed with a cleaning. Print the nozzle check pattern again. Repeat this process up to 5 to 6 times until you achieve a good test pattern. If you notice that the test patterns are getting progressively worse, you may need to replace the ink cartridge that is "missing". If you don't use your printer on a daily basis, Rowmark recommends that you "maintain" your printer. This is very easy to do. If you know you aren't going to use your printer on any given day, turn it on anyway (by the manual switch - not a power strip or a switch on the wall). You will notice the printer with start making a bit of noise. It is cleaning itself. This takes very little time and ink. If you've ever experienced a clog, you'll appreciate the tip!
Time, Temperature & Pressure If you're just getting started in sublimation, time, temperature and pressure settings are a mystery, no doubt! Based on our experiences, Rowmark has developed a guide to time, temperature and pressure settings. You will find, however, that your own practice and experiences are your best guide.
What is PowerDriver? PowerDriver is the color correction software made for Sublijet inks. Be sure to download PowerDriver when you get started in sublimation. This software with either come with your set of inks, or you can download it from Sawgrass's website: www.sublimation.com. Downloading is easy and takes only a couple of minutes. You will notice a distinct difference between printing from the Epson driver and printing from PowerDriver... especially when printing photographs! |
Transfer Paper Be sure to use the recommended transfer paper. If you look closely, you will notice that one side of the paper is brighter than the other side. Print your transfer on the bright white side. Rowmark recommends drying your transfer before pressing. This can be done quickly and effortlessly by placing the transfer face-up in an open press for 10-20 seconds. A dry transfer will prevent "blow-outs" and "running" or faded images on the finished product. Transfer paper can only be only used once. Therefore, it is recommended that you utilize the space efficiently. Store your transfer paper in its original black package. If the transfer paper is exposed to light for a period of time, it will fade and affect the quality of the transfer.
Pressing Plaques & Ready Signs If you've been pressing plaques and Ready Signs, you may already discovered what can happen if you tape on the edge. The finish on the edges of plaques and Ready Signs is a foil. If tape is on the foil, the foil may adhere to the tape while it is in the press, and the foil will peel off the plaque or Ready Sign, leaving an ugly mark on the finished product. To avoid this, simply cut "tabs" on the outer border of the transfer. Line up the transfer, wrap the tabs around the back of the plaque or Ready Sign, and tape them to the back side.
Two-Sided Substrates Sure, those two-sided widget's are neat, but how do you sublimate on one side without ruining the other side? While you can do two sides at once, it is recommended that you do one side at a time. Sublimate one side as you normally would. Let it cool. To do the other side, line up the substrate with the transfer, and cut the "tab's". Wrap them, around so they touch each other, and place tape only on the paper so it does not touch the substrate. If the tabs aren't long enough, cut a strip of paper to bridge the gap.
Protecting your press To make the alignment of substrate to a full-bleed transfer easier, it is recommended that you make the transfer slightly larger than the substrate. For example, if you're pressing a 2" x 3" name badge, make your transfer 2.1" x 3.1". This will create a "border" to which you can align your substrate. While this makes alignment easier, it also poses a problem. When pressed, the ink that does not touch the substrate will still heat up, and must go somewhere. If you don't use some type of protection, it will directly into the pad of the press. Every time you press thereafter, the ink will heat up and transfer onto whatever is in the press at the time. To avoid this, Rowmark recommends that you use either some type of paper or Teflon sheets. (If you are sublimating MATES, we recommend Teflon sheets to eliminate "sticking" to the press pad or to the paper you are using for protection.)
Color Matching For easier color matching, Rowmark recommends that you print a color palette (either CMYK or RGB) and sublimate it to whatever substrate you are using. Label each color with it's CMYK or RGB values. This will provide a quick reference for matching logos, PMS colors, or whatever. It will also take out the "guesswork" and save you a lot of time and material in the end. |
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